It’s years since the PS1 was at its height, but even now I keep going back to Front Mission 3. Partly that’s because I haven’t seen everything in its branching stories yet, and partly it’s because I haven’t found another game like it since. I’ve played other turn-based strategies, turn-based RPGs, and other turn-based games that are based on turns (or perhaps turning bases). I never really took to Advance Wars, Disgaea made me sob with boredom, and Agarest: Generations of War was fun but confusing. I never expected that it would be an Xbox Live Indie Game that would remind me most of my beloved Front Mission 3. Enter Miasma and its recent sequel, Miasma 2.
All games of this sort need some form of implausible plot. Here it’s the domination of the world by a mind-controlling corporation called Vilhelm Industries, or VI (which launched me back to 1998 with every mention of ‘VI soldiers’. Something about ‘VI’ ticks the ‘VR’ box in my brain. Damn you, legacy of Hideo Kojima). As usual in any evil corporation/government/empire situation, there is a rebel group controlled by the player. I always think Shinra and Avalanch, but there are at least ten thousand other examples. VI manages to be all of the above evil bodies in one, so it needs a particularly vigorous rebellion to offset it. What it gets is the adventures of a bald man, a serious man and a woman who tends to wear a business suit for no reason, spread across two games.
The original Miasma had been on my radar for a while, and the recent release of its sequel prompted me to go back and buy it, because I have a thing about playing/watching series in chronological order. I encountered it quite early in my Xbox indie dabbling, but was put off by the combination of the price and the inaccessibility of the demo. Being new to indie games, I didn’t want to gamble great wodges of points on games I might hate, and turn-based strategy games don’t lend themselves to Microsoft’s prescribed eight-minute window for demos. I backed away but kept it in mind for a revisit. Fortunately, that dilemma is gone now. Although the demo still gives barely any idea of the game, the point-wodgery has been cut down to just 80 MSP. That’s no gamble at all. As it turned out, both of the Miasma games have a lot going for them.
The first game, Miasma: Citizens of Free Thought sees an amnesiac protagonist leading a cell of the rebel group CiFT (an acronym that doesn’t quite work – Citizens…if Free Thought? …into Free Thought? …ignoring Free Thought?). The cell has been cut off from the rest of the organisation and they have to kind of make things up as they go along. The combat, which forms the bulk of the game, is turn-based but immediate. When you give a character an instruction to move, attack, or use an item or ability, they do so immediately but no one else moves. Then after you’ve done everything you want to do, all your enemies move. You get a damage bonus for attacking from the side or behind, and periodically you can use abilities like healing and disabling EMP pulses. It’s not complicated, but it does require a bit of thought to make sure your surprisingly fragile characters aren’t wiped out.
The sequel, Miasma 2: Freedom Uprising, changes this up a bit. It goes for the turn-based-but-simultaneous approach, where you give all your orders, the enemy commander gives all their orders, and then everyone moves at once. This took some getting used to after the first game, but it works well enough. It’s certainly more challenging, because you can’t guarantee that an enemy won’t move out of range or do something to counter your attack, like shooting you in the face while you’re still heaving your sniper rifle to your shoulder. It also means you can’t focus down enemies in the same way as previously. You can’t hit a mech or tank with everything you’ve got at once to take it out before it can act. In a way, this seemed to remove a lot of the strategy because too much depended on luck. In other games that use this system, like Flotilla, it can be very tactical because it requires you to try and cover all the angles. Here, though, you’re always hugely outnumbered so there’s no way of preparing for multiple eventualities.
I have mixed feelings about the altered combat system, then. Miasma 2 does have distinct improvements elsewhere though. The other component of both games, between combat, is conversation. In Miasma, this is handled through dialogue boxes against a slowly drifting shot of a building. I was fine with this – again, it reminded me of Front Mission 3 and its long text conversations in static rooms – but I can see why many people might not be, particularly those who aren’t wizened old game fogeys distrustful of any technology that speaks aloud. (Skynet!)
Miasma 2 replaces this with a more palatable first-person wander around CiFT’s base, giving you the option to talk to whoever you choose, in whatever order you prefer. You can choose to chew the fat or just get down to business sorting out their upgrades. It’s a pleasant change of pace from the combat sections, and certainly more engaging than the static conversations of the first game. Having said that, the developers could do with working on their writing skills. When a character says almost out of the blue, “Hey, will you go to bed with me?” it’s more comical than emotional or interesting. It’s also a little jarring after having a near-identical (though actually better written) conversation with the same character in the first game.
The second game also suffers being almost continuously glitchy. Both games have their share of glitches, but while the Miasma has the odd one here and there, Miasma 2 is riddled with them. Characters models vanishing so you have to guess where they are, an enemy tank spawning in the same location as a friendly tank so the two merge and you effectively lose one of your most powerful units. A multitude of other oddities, too.
This is symptomatic of the biggest problem with Miasma 2. It feels like the developers over-reached themselves. They clearly had ambitious ideas for improving on the first game, and while some of those ideas paid off, the price was functionality. That’s not to say Miasma 2 is bad or broken, but it is far too buggy and its increased interactivity depends too much on writing that isn’t up to the job. That’s why, advancements or not, I recommend the original Miasma over the sequel.
The Miasma games have kind of a Mass Effect phenomenon going on. The first game is slower and wordier than the sequel, but it’s also more competently executed. The second is more ambitious but maybe can’t quite pull off everything it aimed for, and whether its modified combat system is an improvement or not will depend on your taste. Regardless, both games are good, and worth playing if you have any interest in turn-based semi-RPGs. They aren’t long, but at 80 Microsoft points each they’re long enough. If you don’t like turn-based grid battles, these games might not be up your street. Even if you do, be prepared to humour their glaring flaws.